I think of Marian Hosking as both a jeweller and master recorder of the native plant and landscape material of Australia. Rather than pressing flowers and leaves into dusty books or copying them as sketches into some leather-bound journal she’s spent 40 years recreating their unique beauty in silver, wood and other materials.
Growing up in the bush and near the beach with her conservationist mother and metallurgist father you might say that Hosking was destined for the life she’s led. She knew in high school that she wanted to study gold and silversmithing and in 1969 graduated from RMIT (Master of Arts) before travelling to Europe where she continued her studies in the jewellers’ mecca of Pforzheim, Germany. Four years later she would return to the town of Wagga Wagga in Australia to teach at the university there. And in 1975, on returning to Melbourne she opened her own studio. Some 5 years after that she would became a director and founding member of Workshop 3000 located in the heart of the city, a place where jewellers could rent studio space and collaborate. 4 years later and with the birth of her 2nd child she would return to her solo studio.
Her contributions to craft in Australia were recognized in 2007 when the Australian Design Centre named her a ‘Living Treasure of Australia, Master of Australian Craft’. And as if that wasn’t good enough she obtained a PhD at Monash University in 2009 where she was a Senior Lecturer in the Art, Design and Architecture department there until 2014.
Soooo, if you ever find yourself in Melbourne (and I hope you do one day) you’ll find this maker’s work represented at Gallery Funaki. Failing that there’s always her profile on Instagram here…when she decides to post something 😉